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Music to Architecture
Mapping the Transposition Process



Fall 2015
School of Planning and Architecture, New Delhi
Critic / Ryan Christopher Sequeira, Dr. Leon Morenas
Architectural Dissertation
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References

1 _ Clifton, T. (1983) Music as Heard: A Study in Applied Phenomenology. New Heavan & London: Yale University Press.

2 _ McEwen, H. (2011) A Discussion of Xenakis and Varese, Metaphor and Simile, Music and Architecture. London.

3 _ Quek, R. (2008) The metaphor of music in architectural theory and practice. University of Nottingham.

4 _ Cerrito, A. (2014) Architecture & Music.

5 _ Ndubisi, D.E.J.O. (n.d.) Inspirational Role of Music in Architecture: A Philosophical Investigation. Umunya: Tansian University.

6 _ Xenakis, I. (1971) Formalised Music: Thought and Mathematics in Composition. Bloomington & London: Indiana University Press.

7 _ Harry Potter and the Order of the Phoenix. 2007. [Film] Directed by David Yates. United Kindom, United States of America: Heyday Films.

8 _ Imaah, N.O. (2004) Music: A Source of Inspiration and Harmony in Architecture: An African View. International Review of the Aesthetics and Sociology of Music, 35(2).

9 _ Bhattacharga, A. (2008) Relationship Between Music and Architecture [Online]. Available at: http://anuragarch.blogspot.com/2008/07/relationship-between-music-and-architecture.html [Accessed 2015 June 25].

10 _ Xenakis, I. (1992) Formalized Music. New York: Pendragon Press.

11 _ Hale, J.A. (2000) Building Ideas: An Introduction To Architectural Theory. Chichester: John Wiley & Sons.

12 _ Guck, M.A. (1994) Two Types of Metaphoric Transfer. In Kassler, J.C.(. Metaphor: a musical dimension. Basel: Gordon and Breach. pp.1-12.

13 _ Martin, E.(.). (1994) Architecture as a Translation of Music: Pamphlet Architecture 16. New York: Princeton Architectural Press.

14 _ Florman, S.C. (1968) Engineering and the Liberal Arts. New York: McGraw-Hill Book Company.

15 _ Sterken, S. (2007) Music as an Art of Space: Interactions between Music and Architecture in the Work of Iannis Xenakis. In Muecke, M.W. Resonance: Essays on the intersection of music and architecture. Ames: Culicidae Architectural Press.

16 _ Squibbs, R. (n.d.) Varieties of Transformation in Xenakis’s Metastaseis. Connecticut: University of Connecticut.

17 _ Treib, M. (1996) Space Calculated in Seconds; The Philips pavilion, Le Corbusier, Edgard Varese. New York: Princeton University Press.

18 _ Earl, B.Y. (n.d.) Stretto House by Steven Holl. New Yourk School of Interior Design.

19 _ Philips techical review. (1958) The Philips Pavilion at the 1958 Brussels World Fair. Eindhoven: Philips Research Laboratory.

20 _ Waterhouse, P. (1921) Music and Architecure. Music & Letters, 2(4), pp.323-31.

21 _ Imaah, N.O. (2004) Music: A Source of Inspiration iand Harmony in Architecture: An African View. International Review of the Aesthetics and Sociology of Music, 35(2), pp.169-82.

22 _ Young, G., Bancroft, J. & Sanderson, M. (1993) Musi-Tecture: Seeking Useful Correlations Between Music and Architecture. Leonardo Music Journal, 3, pp.39-43.

23 _ Agarwala, V. (2011) Music + Architecture: The Spatial Translation of Schenkerian Analysis. Journal of Undergraduate Research, 13(1).

24 _ Pallasmaa, J. (2012) The Eyes of the Skin: Architecture and the Senses. 3rd ed. John Wiley & Sons Ltd.

25 _ Bachelard, G. (1971) The Poetics of Reverie. Boston, Massachusetts, United States of America: Boson Press.

Baron-Cohen & Harrison. (1997).

26 _ Higgins, L.N., 1925. Music and Architecture. The Musical Times, 1 Hune.





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